{"id":5259,"date":"2023-02-20T11:06:06","date_gmt":"2023-02-20T10:06:06","guid":{"rendered":"https:\/\/lascriticas.com\/?p=5259"},"modified":"2023-02-20T12:46:28","modified_gmt":"2023-02-20T11:46:28","slug":"oceano-al-reves-de-julia-wong","status":"publish","type":"post","link":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/","title":{"rendered":"Oc\u00e9ano al rev\u00e9s, de Julia Wong"},"content":{"rendered":"

Oc<\/span><\/span>\u00e9<\/span><\/span>ano al rev<\/span><\/span>\u00e9<\/span><\/span>s de Julia Wong<\/span><\/span><\/span><\/p>\n

\u200bHab<\/span><\/span>\u00ed<\/span><\/span>a le<\/span><\/span>\u00ed<\/span><\/span>do de Julia Wong<\/strong> parte de su notable poes<\/span><\/span>\u00ed<\/span><\/span>a pero no su narrativa. Leer <\/span><\/span>Oc<\/span><\/span>\u00e9<\/span><\/span>ano al rev<\/span><\/span>\u00e9<\/span><\/span>s<\/span><\/span><\/em><\/strong> (Altazor, 2021), su <\/span><\/span>\u00fa<\/span><\/span>ltima novela, me ha sorprendido por su manejo del lenguaje, los argumentos espacio temporales muy bien construidos y conducidos; y por la configuraci<\/span><\/span>\u00f3<\/span><\/span>n de voces narrativas con tendencia a la polifon<\/span><\/span>\u00ed<\/span><\/span>a. La novela est<\/span><\/span>\u00e1 <\/span><\/span>ambientada entre fines del siglo XVIII<\/strong> y las tres primeras d<\/span><\/span>\u00e9<\/span><\/span>cadas del siglo XIX. Cada escenario se desarrolla como\u00a0<\/span><\/span>si se estuviese viendo una pel<\/span><\/span>\u00ed<\/span><\/span>cula en la que la presencia del mar es \u00a0determinante.<\/span><\/span><\/span><\/p>\n

\u200bSiento que por este conjunto de elementos ocupar<\/span><\/span>\u00e1 \u00a0<\/span><\/span>un lugar especial en nuestra vasta heterog<\/span><\/span>\u00e9<\/span><\/span>nea literatura peruana y latinoamericana en un momento de auge de la producci<\/span><\/span>\u00f3<\/span><\/span>n escrita por mujeres en todo el pa<\/span><\/span>\u00ed<\/span><\/span>s. Si bien un sector de escritoras hicieron eco en la tribuna p<\/span><\/span>\u00fa<\/span><\/span>blica en un entorno totalmente adverso a fines del siglo XIX y luego en el XX, sobre todo en los a<\/span><\/span>\u00f1<\/span><\/span>os 80, es a partir de los 90 en que aparecen en escena la multiplicidad de voces po<\/span><\/span>\u00e9<\/span><\/span>ticas y narrativas de \u00a0autoras que escriben desde diversos lugares de enunciaci<\/span><\/span>\u00f3<\/span><\/span>n, lo que reitera la heterogeneidad estructural y sociocultural de nuestro pa<\/span><\/span>\u00ed<\/span><\/span>s.<\/span><\/span><\/span><\/p>\n

\"\"<\/span><\/p>\n

\u200bEl primer libro de Julia Wong fue <\/span><\/span>Historia de una gorda<\/span><\/span><\/em><\/strong>\u00a0<\/span><\/span>(1992), hoy tiene en su haber <\/span><\/span>aproximadamente<\/span><\/span> 20 t<\/span><\/span>\u00ed<\/span><\/span>tulos publicados. En <\/span><\/span>Oc<\/span><\/span>\u00e9<\/span><\/span>ano al rev<\/span><\/span>\u00e9<\/span><\/span>s<\/span><\/span><\/em><\/strong>, construye un mundo imaginado \u00a0a partir de la mirada de sujetas marginalizadas,<\/strong> esclavas negras, mulatos y sobre todo la traves<\/span><\/span>\u00ed<\/span><\/span>a de una <\/span><\/span>adolescente<\/span><\/span> hija de migrantes filipinos, adjetivada colonialmente como <\/span><\/span>\u201c<\/span><\/span>india china<\/span><\/span>\u201d<\/span><\/span>, que emprende viaje hacia Am<\/span><\/span>\u00e9<\/span><\/span>rica en busca de riqueza<\/span><\/span>, concepto que<\/span><\/span>\u00a0no sabe definir qu<\/span><\/span>\u00e9 <\/span><\/span>es, pero que la siente como sin<\/span><\/span>\u00f3<\/span><\/span>nimo de movimiento y libertad. Esta <\/span><\/span>ni<\/span><\/span>\u00f1<\/span><\/span>a<\/span><\/span> arriba primero a Venezuela, luego a Ecuador y finalmente a Per<\/span><\/span>\u00fa <\/span><\/span>en un entorno \u00a0independentista que no trajo cambios para la mayor<\/span><\/span>\u00ed<\/span><\/span>a de la poblaci<\/span><\/span>\u00f3<\/span><\/span>n. <\/span><\/span><\/span><\/p>\n

\u200bLa trama comienza en Sevilla cuando la corbeta Pizarro est<\/span><\/span>\u00e1 <\/span><\/span>a punto de zarpar. Se trata de una expedici<\/span><\/span>\u00f3<\/span><\/span>n cient<\/span><\/span>\u00ed<\/span><\/span>fica que se dirige hacia Am<\/span><\/span>\u00e9<\/span><\/span>rica en la que los protagonistas, al lado de la <\/span><\/span>ni<\/span><\/span>\u00f1<\/span><\/span>a<\/span><\/span>, son<\/span><\/span> tambi<\/span><\/span>\u00e9<\/span><\/span>n<\/span><\/span> Alejandro Von Humboldt y Amado Bonpland. Estos j<\/span><\/span>\u00f3<\/span><\/span>venes, con gran solvencia econ<\/span><\/span>\u00f3<\/span><\/span>mica, \u00a0sol<\/span><\/span>\u00ed<\/span><\/span>an viajar por curiosidad y sed de conocimiento y hab<\/span><\/span>\u00ed<\/span><\/span>an logrado el apoyo del gobierno espa<\/span><\/span>\u00f1<\/span><\/span>ol para explorar el territorio colonial. <\/span><\/span><\/span><\/p>\n

\u200bAngela<\/span><\/span>, la ni<\/span><\/span>\u00f1<\/span><\/span>a<\/span><\/span> de doce a<\/span><\/span>\u00f1<\/span><\/span>os <\/span><\/span>e <\/span><\/span>hija de migrantes filipinos<\/span><\/span>, viaja<\/span><\/span> travestido de chico<\/span><\/span> con el nombre<\/span><\/span> es Ang Chi, <\/span><\/span>\u00c1<\/span><\/span>ngel Chong y Antonio Campos. Lo que da cuenta de la heterogeneidad identitaria<\/strong> del propio sujeto, una identidad siempre en movimiento, una actante de ra<\/span><\/span>\u00ed<\/span><\/span>ces chinas que se siente y piensa en chino y espa<\/span><\/span>\u00f1<\/span><\/span>ol andaluz y que cambia de identidad como una forma de supervivencia, sabe que siendo chico no sufrir<\/span><\/span>\u00e1 \u00a0<\/span><\/span>las violencias que sufren las muchachas. Se siente muy cercano a la poblaci<\/span><\/span>\u00f3<\/span><\/span>n negra<\/span><\/span> y a la gente que trabaja con sus manos<\/span><\/span>. La curiosidad de saber, explorar y comprender constituye uno de los elementos compartidos con los dos j<\/span><\/span>\u00f3<\/span><\/span>venes exploradores, sobre todo con \u00a0Alejandro Humboldt. Otra dimensi<\/span><\/span>\u00f3<\/span><\/span>n en com<\/span><\/span>\u00fa<\/span><\/span>n es su capacidad de comunicaci<\/span><\/span>\u00f3<\/span><\/span>n con la vida \u00a0animal, vegetal y mineral. <\/span><\/span><\/span><\/p>\n

\u200bHumboldt y la ni<\/span><\/span>\u00f1<\/span><\/span>a se conocen en la corbeta Pizarro y mantienen una relaci<\/span><\/span>\u00f3<\/span><\/span>n de mutuo afecto hasta arribar al Per<\/span><\/span>\u00fa <\/span><\/span>en un fecha cercana a la independencia. Conoce tambi<\/span><\/span>\u00e9<\/span><\/span>n a Jos<\/span><\/span>\u00e9 <\/span><\/span>de San Mart<\/span><\/span>\u00ed<\/span><\/span>n, entre otros personajes. A Ang Chi le encanta la cocina y al mismo tiempo tiene sed de entendimiento, le ronda el deseo de aprender a leer y escribir, sobre todo cuando descubre el poder de la palabra escrita. Sus maestros fueron un mulato y un amauta indio. Ya en Sevilla hab<\/span><\/span>\u00ed<\/span><\/span>a convivido con la poblaci<\/span><\/span>\u00f3<\/span><\/span>n trabajadora marginalizada por lo que no le fue extra<\/span><\/span>\u00f1<\/span><\/span>o compartir con ella en su viaje hacia Am<\/span><\/span>\u00e9<\/span><\/span>rica. <\/span><\/span>La ni<\/span><\/span>\u00f1<\/span><\/span>a s<\/span><\/span>obrevive realizando los trabajos despreciados por los <\/span><\/span>\u201c<\/span><\/span>blancos<\/span><\/span>\u201d \u00a0<\/span><\/span>en un orden social sexista<\/span><\/span>, clasista y<\/span><\/span>\u00a0racista <\/span><\/span>que <\/span><\/span>atraviesa el terreno pol<\/span><\/span>\u00ed<\/span><\/span>tico<\/span><\/span>, la econom<\/span><\/span>\u00ed<\/span><\/span>a, las relaciones intersubjetivas<\/span><\/span> y la<\/span><\/span>s<\/span><\/span> familia<\/span><\/span>s<\/span><\/span>. La <\/span><\/span>adolescente<\/span><\/span> pone en cuesti<\/span><\/span>\u00f3<\/span><\/span>n los estereotipos de feminidad y masculinidad, el mandato de la maternidad, la clasificaci<\/span><\/span>\u00f3<\/span><\/span>n de g<\/span><\/span>\u00e9<\/span><\/span>nero binaria.<\/span><\/span><\/span><\/p>\n

\u200bEl desarraigo, la identidad, el amor y el erotismo, la migraci<\/span><\/span>\u00f3<\/span><\/span>n, las ansias de conocimiento, el sentido de felicidad, la soledad, los cambios en el cuerpo, la menstruaci<\/span><\/span>\u00f3<\/span><\/span>n, la maternidad, el racismo, la dependencia emocional, las desigualdades, la resistencia, la b<\/span><\/span>\u00fa<\/span><\/span>squeda de autonom<\/span><\/span>\u00ed<\/span><\/span>a, la marginalidad, el mestizaje, la solidaridad entre los marginalizados<\/span><\/span> y pese a todo una gran dosis de sentido del humor, son algunos de los \u00a0t<\/span><\/span>\u00f3<\/span><\/span>picos <\/span><\/span>de<\/span><\/span> \u00a0esta novela. Con ella Julia Wong contin<\/span><\/span>\u00fa<\/span><\/span>a la traves<\/span><\/span>\u00ed<\/span><\/span>a iniciada en <\/span><\/span>Aquello que perdimos en la arena<\/span><\/span><\/em>\u00a0<\/span><\/span>(2019) y <\/span><\/span>Mongolia <\/span><\/span><\/em>(2015).<\/span><\/span><\/span><\/p>\n

\u200bOc<\/span><\/span>\u00e9<\/span><\/span>ano al rev<\/span><\/span>\u00e9<\/span><\/span><\/em>s<\/em>, <\/span><\/span>por definici<\/span><\/span>\u00f3<\/span><\/span>n de la enunciante en tercera persona, \u00a0se refiere a cuando <\/span><\/span>\u201c<\/span><\/span>Todas las aguas o todas las cosas \u00a0muestran su lado posterior, su lado oscuro, lo anverso,<\/span><\/span>\u201d<\/span><\/span>(141) con toda su potencia y magnitud. Y es lo que Julia Wong intenta configurar mediante esta traves<\/span><\/span>\u00ed<\/span><\/span>a que ocurre en gran parte sobre \u00a0la magnanimidad del Oc<\/span><\/span>\u00e9<\/span><\/span>ano Pac<\/span><\/span>\u00ed<\/span><\/span>fico, en tierra venezolana, ecuatoriana y finalmente en la costa de Per<\/span><\/span>\u00fa<\/span><\/span>. Se asocia la magnanimidad del oc<\/span><\/span>\u00e9<\/span><\/span>ano, que bordea nuestra Am<\/span><\/span>\u00e9<\/span><\/span>rica, con \u00a0las condiciones adversas en las que ha vivido y vive la poblaci<\/span><\/span>\u00f3<\/span><\/span>n trabajadora, entre ellas la poblaci<\/span><\/span>\u00f3<\/span><\/span>n <\/span><\/span>\u201c<\/span><\/span>india china<\/span><\/span>\u201d <\/span><\/span>y sus descendientes peruanos. <\/span><\/span><\/span><\/p>\n

\u200bWong, Julia. Oc\u00e9ano al rev\u00e9s<\/em>. Altazor, 2021.<\/strong><\/span><\/p>\n

\n

Julia Wong<\/strong> es una escritora, poeta y cr\u00edtica literaria peruana. Tiene una obra fecunda en narrativa y poes\u00eda. Ha publicado, entre otros t\u00edtulos, Los \u00faltimos blues de Buddha<\/em> (2002), La desmineralizaci\u00f3n de los \u00e1rboles<\/em> (2013), Un vaso de leche fr\u00eda para el rapsoda<\/em> (2014), Mongolia<\/em> (2015), Tequila Prayers (2015) y Pessoa por Wong<\/em> (2017). Vive en Lisboa.<\/span><\/p>\n

Acerca de Carolina Ortiz<\/strong><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Oc\u00e9ano al rev\u00e9s de Julia Wong \u200bHab\u00eda le\u00eddo de Julia Wong parte de su notable poes\u00eda pero no su narrativa. Leer Oc\u00e9ano al rev\u00e9s (Altazor, 2021), su \u00faltima novela, me ha sorprendido por su manejo del lenguaje, los argumentos espacio temporales muy bien construidos y conducidos; y por la configuraci\u00f3n de voces narrativas con tendencia…<\/p>\n","protected":false},"author":67,"featured_media":2039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43,37],"tags":[98,151,364,1083,132,177,1082,1084,1085,154,365,694,207,148,59,53,162],"yoast_head":"\nOc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas<\/title>\n<meta name=\"description\" content=\"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas\" \/>\n<meta property=\"og:description\" content=\"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\" \/>\n<meta property=\"og:site_name\" content=\"Las Cr\u00edticas\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/lascriticas\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-20T10:06:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-20T11:46:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif\" \/>\n\t<meta property=\"og:image:width\" content=\"1079\" \/>\n\t<meta property=\"og:image:height\" content=\"530\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/gif\" \/>\n<meta name=\"author\" content=\"Carolina Ortiz Fernandez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LasCriticas_com\" \/>\n<meta name=\"twitter:site\" content=\"@LasCriticas_com\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Carolina Ortiz Fernandez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\"},\"author\":{\"name\":\"Carolina Ortiz Fernandez\",\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/person\/0a246e49260c1eaf73aea7cb440cf600\"},\"headline\":\"Oc\u00e9ano al rev\u00e9s, de Julia Wong\",\"datePublished\":\"2023-02-20T10:06:06+00:00\",\"dateModified\":\"2023-02-20T11:46:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\"},\"wordCount\":1018,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/lascriticas.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif\",\"keywords\":[\"amor\",\"China\",\"Colonia\",\"conercio\",\"desarraigo\",\"erotismo\",\"esclavitud\",\"Filipinas\",\"heterogeneidad\",\"historia\",\"independencia\",\"mar\",\"marginalidad\",\"migraci\u00f3n\",\"mujeres\",\"novela\",\"viaje\"],\"articleSection\":[\"Ficci\u00f3n\",\"Rese\u00f1as\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\",\"url\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\",\"name\":\"Oc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas\",\"isPartOf\":{\"@id\":\"https:\/\/lascriticas.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif\",\"datePublished\":\"2023-02-20T10:06:06+00:00\",\"dateModified\":\"2023-02-20T11:46:28+00:00\",\"description\":\"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong\",\"breadcrumb\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage\",\"url\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif\",\"contentUrl\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif\",\"width\":1079,\"height\":530,\"caption\":\"Julia Wong\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\/\/lascriticas.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Oc\u00e9ano al rev\u00e9s, de Julia Wong\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/lascriticas.com\/#website\",\"url\":\"https:\/\/lascriticas.com\/\",\"name\":\"Las Cr\u00edticas\",\"description\":\"Cr\u00edtica literaria hecha por mujeres\",\"publisher\":{\"@id\":\"https:\/\/lascriticas.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/lascriticas.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/lascriticas.com\/#organization\",\"name\":\"Las Cr\u00edticas\",\"url\":\"https:\/\/lascriticas.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2016\/09\/Las-Cr\u00edticas.png\",\"contentUrl\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2016\/09\/Las-Cr\u00edticas.png\",\"width\":372,\"height\":201,\"caption\":\"Las Cr\u00edticas\"},\"image\":{\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/lascriticas\/\",\"https:\/\/x.com\/LasCriticas_com\",\"https:\/\/www.instagram.com\/lascriticas_com\/\",\"https:\/\/www.youtube.com\/channel\/UCd7r-H6EJA4sSXGLX33_iHQ\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/person\/0a246e49260c1eaf73aea7cb440cf600\",\"name\":\"Carolina Ortiz Fernandez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/87ea789eb35079118a5e4f4aa26caea5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/87ea789eb35079118a5e4f4aa26caea5?s=96&d=mm&r=g\",\"caption\":\"Carolina Ortiz Fernandez\"},\"url\":\"https:\/\/lascriticas.com\/index.php\/author\/carolina-fernandez\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Oc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas","description":"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/","og_locale":"es_ES","og_type":"article","og_title":"Oc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas","og_description":"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong","og_url":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/","og_site_name":"Las Cr\u00edticas","article_publisher":"https:\/\/www.facebook.com\/lascriticas\/","article_published_time":"2023-02-20T10:06:06+00:00","article_modified_time":"2023-02-20T11:46:28+00:00","og_image":[{"width":1079,"height":530,"url":"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif","type":"image\/gif"}],"author":"Carolina Ortiz Fernandez","twitter_card":"summary_large_image","twitter_creator":"@LasCriticas_com","twitter_site":"@LasCriticas_com","twitter_misc":{"Escrito por":"Carolina Ortiz Fernandez","Tiempo de lectura":"6 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#article","isPartOf":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/"},"author":{"name":"Carolina Ortiz Fernandez","@id":"https:\/\/lascriticas.com\/#\/schema\/person\/0a246e49260c1eaf73aea7cb440cf600"},"headline":"Oc\u00e9ano al rev\u00e9s, de Julia Wong","datePublished":"2023-02-20T10:06:06+00:00","dateModified":"2023-02-20T11:46:28+00:00","mainEntityOfPage":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/"},"wordCount":1018,"commentCount":0,"publisher":{"@id":"https:\/\/lascriticas.com\/#organization"},"image":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage"},"thumbnailUrl":"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif","keywords":["amor","China","Colonia","conercio","desarraigo","erotismo","esclavitud","Filipinas","heterogeneidad","historia","independencia","mar","marginalidad","migraci\u00f3n","mujeres","novela","viaje"],"articleSection":["Ficci\u00f3n","Rese\u00f1as"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/","url":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/","name":"Oc\u00e9ano al rev\u00e9s, de Julia Wong - Las Cr\u00edticas","isPartOf":{"@id":"https:\/\/lascriticas.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage"},"image":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage"},"thumbnailUrl":"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif","datePublished":"2023-02-20T10:06:06+00:00","dateModified":"2023-02-20T11:46:28+00:00","description":"Carolina Ortiz escribe acerca del poemario Oc\u00e9ano al rev\u00e9, de Julia Wong","breadcrumb":{"@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#primaryimage","url":"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif","contentUrl":"https:\/\/lascriticas.com\/wp-content\/uploads\/2017\/11\/julia-wong.gif","width":1079,"height":530,"caption":"Julia Wong"},{"@type":"BreadcrumbList","@id":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/oceano-al-reves-de-julia-wong\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/lascriticas.com\/"},{"@type":"ListItem","position":2,"name":"Oc\u00e9ano al rev\u00e9s, de Julia Wong"}]},{"@type":"WebSite","@id":"https:\/\/lascriticas.com\/#website","url":"https:\/\/lascriticas.com\/","name":"Las Cr\u00edticas","description":"Cr\u00edtica literaria hecha por mujeres","publisher":{"@id":"https:\/\/lascriticas.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/lascriticas.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/lascriticas.com\/#organization","name":"Las Cr\u00edticas","url":"https:\/\/lascriticas.com\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/lascriticas.com\/#\/schema\/logo\/image\/","url":"https:\/\/lascriticas.com\/wp-content\/uploads\/2016\/09\/Las-Cr\u00edticas.png","contentUrl":"https:\/\/lascriticas.com\/wp-content\/uploads\/2016\/09\/Las-Cr\u00edticas.png","width":372,"height":201,"caption":"Las Cr\u00edticas"},"image":{"@id":"https:\/\/lascriticas.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/lascriticas\/","https:\/\/x.com\/LasCriticas_com","https:\/\/www.instagram.com\/lascriticas_com\/","https:\/\/www.youtube.com\/channel\/UCd7r-H6EJA4sSXGLX33_iHQ"]},{"@type":"Person","@id":"https:\/\/lascriticas.com\/#\/schema\/person\/0a246e49260c1eaf73aea7cb440cf600","name":"Carolina Ortiz Fernandez","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/lascriticas.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/87ea789eb35079118a5e4f4aa26caea5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/87ea789eb35079118a5e4f4aa26caea5?s=96&d=mm&r=g","caption":"Carolina Ortiz Fernandez"},"url":"https:\/\/lascriticas.com\/index.php\/author\/carolina-fernandez\/"}]}},"_links":{"self":[{"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/posts\/5259"}],"collection":[{"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/users\/67"}],"replies":[{"embeddable":true,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/comments?post=5259"}],"version-history":[{"count":7,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/posts\/5259\/revisions"}],"predecessor-version":[{"id":5322,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/posts\/5259\/revisions\/5322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/media\/2039"}],"wp:attachment":[{"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/media?parent=5259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/categories?post=5259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lascriticas.com\/index.php\/wp-json\/wp\/v2\/tags?post=5259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}