{"id":5256,"date":"2023-02-20T11:26:26","date_gmt":"2023-02-20T10:26:26","guid":{"rendered":"https:\/\/lascriticas.com\/?p=5256"},"modified":"2023-02-20T13:17:32","modified_gmt":"2023-02-20T12:17:32","slug":"puentes-bridges-de-rocio-uchofen","status":"publish","type":"post","link":"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/","title":{"rendered":"Puentes\/Bridges, de Roc\u00edo Uchofen"},"content":{"rendered":"

 <\/p>\n

Puentes\/Bridges<\/span><\/em><\/strong> re\u00fane <\/span>a <\/span>un<\/span> grupo<\/span> de escritor<\/span>a<\/span>s<\/span> y escritores quienes<\/span>,<\/span> bajo la batuta de<\/span> Roc\u00edo Uchofen<\/strong>, gran gestora literaria <\/span>afincada en<\/span> N<\/span>ueva York,<\/span> e<\/span>ncuentran<\/span> distintas formas de expresar literariamente<\/span>\u00a0lo que para ellos y ellas significa la palabra que da t\u00edtulo a la antolog\u00eda<\/span>. <\/span>Gracias a una beca de<\/span>l Departamento de Asuntos Culturales para las <\/span>A<\/span>rtes en<\/span> Staten<\/span> Island,<\/span> ciudad en <\/span>la <\/span>que <\/span>Uchofen<\/span> reside desde hace varios a\u00f1os, <\/span>este libro<\/span>, biling\u00fce adem\u00e1s, lo que l<\/span>o<\/span> abre a lectores no <\/span>solamente<\/span> hispanohablantes,\u00a0<\/span>presenta<\/span> 16<\/span> textos <\/span>que<\/span>, aunque \u00fanic<\/span>os<\/span> en su esencia,<\/span> contenido y formato, se entrelazan <\/span>cuidadosamente para construir<\/span> un <\/span>proyecto de escritura <\/span>valioso y diverso<\/span>. <\/span>La <\/span>misma<\/span> antologadora r<\/span>esume<\/span> as\u00ed<\/span> el tema central<\/span> que subyace a <\/span>su<\/span> iniciativa<\/span>: \u201cLa literatura es una serie de puentes, conexiones, enlaces; puentes con el pasado,<\/span> hacia el futuro, puentes irreales, m\u00e1gicos, esperanzadores. Los escritores somos hacedores de puentes\u201d<\/span>(\u201cLas palabras, la literatura y los puentes\u201d XI).<\/span><\/span><\/p>\n

\"\"<\/p>\n

De este modo, <\/span>adem\u00e1s de los puentes <\/span>tendidos<\/span> entre <\/span>el <\/span>espa\u00f1ol<\/span> y el<\/span> ingl\u00e9s,<\/span> lenguas<\/span> cotidianas para la mayor\u00eda de <\/span>sus<\/span> autores<\/span>, se construyen<\/span> otros<\/span> que desembocan en<\/span> caminos<\/span> alternativos <\/span>como <\/span>ocurre <\/span>en <\/span>\u201cCosas que el tiempo se ha permitido descascarar\u201d, <\/span>el cuento de Bryan Barona<\/strong><\/span> que ab<\/span>r<\/span>e la antolog\u00eda<\/span>, o<\/span> que <\/span>recorren las <\/span>nostalgias del pasado<\/span> y alientan riesgos<\/span> futuros <\/span>en<\/span> la protagonista de<\/span> \u201cLiv Ullman\u201d, de<\/span> Rosa Carrasco<\/span><\/strong>. <\/span>Se crean tambi\u00e9n<\/span> puentes entre l<\/span>os amantes del <\/span>cuento de Lea D\u00edaz<\/strong> \u201cAl otro lado de la bah\u00eda\u201d, quienes, a partir de un <\/span>(re)encuentro <\/span>se involucran<\/span> en una historia m\u00e1gica y <\/span>rom\u00e1ntica al mismo tiempo<\/span>, o<\/span> aquel que<\/span> sirve<\/span> de <\/span>refugio<\/span> para <\/span>la<\/span> madre y <\/span>la<\/span> hija <\/span>de<\/span> \u201cPuente y\u00a0<\/span>sutura\u201d<\/span>,<\/span> de Tina <\/strong><\/span>Escaja<\/span><\/strong>,<\/span> quienes huyen<\/span> de<\/span> una situaci\u00f3n <\/span>de\u00a0<\/span>violencia de g\u00e9nero<\/span>.<\/span><\/span><\/p>\n


\n<\/span>O<\/span>tros relatos<\/span> ven<\/span> los puentes como<\/span> frontera<\/span>s geogr\u00e1ficas e imaginarias. Es el caso del <\/span>que <\/span>cruza<\/span> el peque\u00f1o protagonista <\/span>de \u201cLa vida en medio\u201d, de <\/span>Oswaldo Estrada<\/span><\/strong>, <\/span>quien <\/span>imagina una vida<\/span>\u00a0<\/span>mejor <\/span>al otro lado del puente <\/span>por el <\/span>que<\/span> pasa<\/span> diariamente<\/span>. <\/span>A<\/span>mor y desaf\u00edo <\/span>son <\/span>representados por<\/span> los amantes <\/span>del <\/span>relato<\/span> de Marcela Fonseca<\/strong>, \u201cDestierros\u201d<\/span>,<\/span> qu<\/span>i<\/span>e<\/span>nes<\/span> se unen <\/span>para <\/span>romper<\/span> l<\/span>as barreras que los separan<\/span> a causa de la <\/span>guerra <\/span>pero cuyo<\/span> destino<\/span>cambia<\/span> dr\u00e1sticamente<\/span> una vez que<\/span> el puente <\/span>se destruye.<\/span> A trav\u00e9s de<\/span> textos<\/span> de corte <\/span>m\u00e1s bien <\/span>testimonial, <\/span>las<\/span> fronteras imaginarias se <\/span>convierten en<\/span> reales <\/span>en<\/span> la historia<\/span> de Reyna Mart\u00ednez<\/strong><\/span>, \u201cMis puentes\u201d, donde<\/span> el puente fronterizo que atraviesa la migrante <\/span>desde su natal M\u00e9xico se convierte <\/span>en <\/span>el Verrazano Bridge <\/span>en<\/span> Staten<\/span> Island, <\/span>su <\/span>nuevo <\/span>hogar <\/span>en tierras extranjeras<\/span>. <\/span>Algo parecido<\/span> sucede<\/span> en<\/span> \u201cMis puentes de la gran ciudad\u201d, de Mar\u00eda Guadalupe Ramos<\/strong><\/span>, reflexi\u00f3n personal y profunda en la que <\/span>su<\/span> autora enfatiza<\/span> la alegr\u00eda de encontrarse en una tierra de esperanzas<\/span> y<\/span>, al mismo tiempo, <\/span>el dolor de la separaci\u00f3n que acompa\u00f1a al migrante<\/span> p<\/span>or<\/span> siempre<\/span>.<\/span><\/span><\/p>\n

El cuento de C\u00e9sar Ruiz Ledesma<\/strong><\/span>, \u201cLas gracias de un C\u00e9sar\u201d,<\/span>acerca<\/span> al lector <\/span>a <\/span>una<\/span> an\u00e9cdota <\/span>desagradable pero con final feliz <\/span>a trav\u00e9s de p<\/span>uentes que conectan la libertad con el encierro<\/span>forzado<\/span>, en la que se <\/span>expone la violencia sexual y el abuso de autoridad<\/span>. Por su parte<\/span>,<\/span> en <\/span>\u201cEl <\/span>hombre inclinado\u201d, de M\u00f3nica Sarmiento<\/strong><\/span>, <\/span>una habilidad precoz para el canto conduce a<\/span> su<\/span>protagonista hasta la<\/span> fam<\/span>a y el lujo<\/span> como forma<\/span>s<\/span> de progres<\/span>o, pero sol<\/span>o<\/span> en apariencia<\/span>.<\/span><\/span><\/p>\n

Los puentes del deseo<\/span>,<\/span> donde se alberga lo oculto y <\/span>lo <\/span>misterioso<\/span>,<\/span> se hacen presentes en \u201cDonde duermen las palomas\u201d, relato con tintes de novela negra de Alicia <\/strong><\/span>Savaxe<\/span><\/strong>, mientras que <\/span>la amistad, el amor y el dolor aparecen en \u201c<\/span>My<\/span> Bridges (after <\/span>the<\/span> storm<\/span>)\u201d de <\/span>Rossane<\/span><\/strong> La Fatta<\/strong>, <\/span>en el que<\/span> la solidaridad vecinal ante una tragedia clim\u00e1tica es el personaje principal, y en \u201cHuir hacia el mar\u201d, de Roc\u00edo Uchofen<\/strong>, <\/span>donde se describe el duelo de la<\/span> protagonista por <\/span>la<\/span> p<\/span>\u00e9<\/span>rdid<\/span>a<\/span> del amante <\/span>en un accidente automovil\u00edstico. <\/span><\/span><\/p>\n

A<\/span>dem\u00e1s de los relatos ficcionales <\/span>y<\/span> testimoniales<\/span> referidos l\u00edneas arriba<\/span>, la antolog\u00eda <\/span>presenta<\/span> un par de <\/span>ensayos<\/span> en los que sus autores se aproximan<\/span> a las distintas definiciones del t\u00e9rmino \u201cpuentes\u201d. Es el caso de \u201cMateria\u201d, de Stella Maris Gonz\u00e1lez<\/strong>, <\/span>y de<\/span> \u201cTodos los puentes, un ensayo\u201d<\/span>, <\/span>de Daniel Soria<\/strong><\/span>.<\/span> C<\/span>omo<\/span>\u00a0cierre del<\/span>\u00a0libro, el <\/span>bonus <\/span>track<\/span> de Roger Santiva\u00f1ez<\/strong>, \u201cPuente\/Fuente\u201d, <\/span>asocia<\/span> ambos vocablos para referirse al <\/span>origen<\/span> de su propia actividad po\u00e9tica en tono nost\u00e1lgico pero esperanzador.<\/span><\/span><\/p>\n

Finalmente,<\/span> cabe destacar <\/span>el material<\/span> complementario<\/span> d<\/span>el proyecto y <\/span>de <\/span>la publicaci\u00f3n<\/span> posterior<\/span>. Me refiero a<\/span> l<\/span>as fotograf\u00edas de Soledad Cisneros <\/strong><\/span>que<\/span> entrelazan<\/span> puentes entre los textos y sus autores<\/span>, <\/span>los talleres <\/span>remotos <\/span>de escritura <\/span>organizados por Roc\u00edo Uchofen<\/span>,<\/span> cuyos enlaces aparecen al inicio de la antolog\u00eda<\/span>, y<\/span> la <\/span>importante labor <\/span>de<\/span> Lea D\u00edaz, Gabriel Ochoa-Dreyfus<\/span>, <\/span>Kiara Orteg<\/span>a y la propia Uchofen<\/span> al traducir<\/span> los textos<\/span> del espa\u00f1ol al ingl\u00e9s y viceversa<\/span>.<\/span><\/span><\/p>\n

Se trata, pues<\/span>, <\/span>de <\/span>un<\/span> libro de <\/span>grata <\/span>l<\/span>ectura<\/span> que<\/span> nac<\/span>e<\/span> de la necesidad de <\/span>contar historias<\/span> y de dejar salir el alma<\/span> a trav\u00e9s de las palabras.<\/span><\/span><\/p>\n


\n<\/span>Uchofen, Roc\u00edo (ed.)<\/span>. <\/span>Autores: <\/span>B<\/span>ryan Barona, Rosa Carrasco, Lea D\u00edaz, Tina <\/span>Escaja<\/span>, Oswaldo Estrada, Marcela Fonseca, Stella Maris Gonz\u00e1lez, <\/span>Rossane<\/span> LaFatta<\/span>, Reyna Mart\u00ednez, Mar\u00eda Guadalupe Ramos, C\u00e9sar Ruiz, M\u00f3nica Sarmiento, Alicia <\/span>Savaxe<\/span>, Daniel Soria, Roger Santiva\u00f1ez. Puentes\/Bridges<\/em>. Antolog\u00eda\/<\/span>Anthology.\u00a0<\/span><\/span>Narradores NYC<\/span>,<\/span> 2022<\/span><\/strong><\/span><\/p>\n

Puentes\/Bridges<\/span> puede adquirirse a trav\u00e9s de <\/span>Amazon<\/span><\/a> en edici\u00f3n Kindle o en papel. <\/span><\/span><\/p>\n

\n

Roc\u00edo<\/span> Uchofen<\/span><\/strong> (<\/span>Lima<\/span>, 19<\/span>72<\/span>)<\/span>.<\/span> Estudi\u00f3 Ling\u00fc\u00edstica y Literatura en la Universidad Cat\u00f3lica del Per\u00fa<\/span> y tiene un M\u00e1ster en Ingl\u00e9s en CSI CUNY<\/span>.<\/span> Ha publicado <\/span>los<\/span> libro<\/span>s<\/span> de cuentos <\/span>Odalia<\/span> y otros sin esquina<\/span><\/em> (2004)<\/span>,<\/span> En alg\u00fan lugar del laberinto<\/span><\/em> (2019)<\/span>\u00a0y l<\/span>os <\/span>poemarios<\/span> Liturgias <\/span>c<\/span>landestinas<\/span><\/em> (2004)<\/span>, <\/span>El <\/span>o<\/span>scuro <\/span>l<\/span>aberinto de los <\/span>s<\/span>ue\u00f1os<\/span><\/em> (2011)<\/span> y\u00a0<\/span>Geometr\u00eda de la <\/span>u<\/span>rbe<\/span><\/em> (2017)<\/span>.<\/span> En su faceta de promotora cultural ha llevado a cabo proyectos de narrativa, poes\u00eda y ha publicado antolog\u00edas, algunas con incentivos para la cultura de la ciudad de Nueva York. D<\/span>irige el webzine H\u00edbrido Literario y un programa <\/span>literario <\/span>de radio <\/span>con <\/span>el mismo nombre<\/span>.<\/span><\/span><\/p>\n

Acerca de Lisette Balabarca<\/span><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

  Puentes\/Bridges re\u00fane a un grupo de escritoras y escritores quienes, bajo la batuta de Roc\u00edo Uchofen, gran gestora literaria afincada en Nueva York, encuentran distintas formas de expresar literariamente\u00a0lo que para ellos y ellas significa la palabra que da t\u00edtulo a la antolog\u00eda. Gracias a una beca del Departamento de Asuntos Culturales para las…<\/p>\n","protected":false},"author":61,"featured_media":5328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43,37],"tags":[75,529,130,201,491,60,162],"yoast_head":"\nPuentes\/Bridges, de Roc\u00edo Uchofen - Las Cr\u00edticas<\/title>\n<meta name=\"description\" content=\"Lisette Balabarca escribe acerca de la antolog\u00eda Puentes, editada por Roc\u00edo Uchofen\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Puentes\/Bridges, de Roc\u00edo Uchofen - Las Cr\u00edticas\" \/>\n<meta property=\"og:description\" content=\"Lisette Balabarca escribe acerca de la antolog\u00eda Puentes, editada por Roc\u00edo Uchofen\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\" \/>\n<meta property=\"og:site_name\" content=\"Las Cr\u00edticas\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/lascriticas\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-20T10:26:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-20T12:17:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lascriticas.com\/wp-content\/uploads\/2023\/02\/Rocio-Uchofen.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lisette Balabarca Fataccioli\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LasCriticas_com\" \/>\n<meta name=\"twitter:site\" content=\"@LasCriticas_com\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lisette Balabarca Fataccioli\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\"},\"author\":{\"name\":\"Lisette Balabarca Fataccioli\",\"@id\":\"https:\/\/lascriticas.com\/#\/schema\/person\/43fc658671400a655a1d14e897a42a1a\"},\"headline\":\"Puentes\/Bridges, de Roc\u00edo Uchofen\",\"datePublished\":\"2023-02-20T10:26:26+00:00\",\"dateModified\":\"2023-02-20T12:17:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\"},\"wordCount\":1106,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/lascriticas.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/lascriticas.com\/wp-content\/uploads\/2023\/02\/Rocio-Uchofen.jpg\",\"keywords\":[\"antolog\u00eda\",\"cuentos\",\"Estados Unidos\",\"inmigraci\u00f3n\",\"relatos\",\"traducci\u00f3n\",\"viaje\"],\"articleSection\":[\"Ficci\u00f3n\",\"Rese\u00f1as\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\",\"url\":\"https:\/\/lascriticas.com\/index.php\/2023\/02\/20\/puentes-bridges-de-rocio-uchofen\/\",\"name\":\"Puentes\/Bridges, de Roc\u00edo Uchofen - 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